With long, sustained notes the delay thickens everything up without really getting in the way. In ballads or songs that have long, sustained vocal phrases, you can allow yourself to lengthen the delay. A bigger vocal sound when you don't want to use reverb.Notice how much the feel of the vocal changes just because we swapped out our delay effects? There's also very little feedback, about 10%, or only about one repeat. ![]() With a 200 millisecond delay on one side and a 150 millisecond delay on the other you get a bigger and wider sound. Instead of a mono delay or an echo we're using a stereo delay with two different settings on either side. Once again, we're using the same vocal sample as before, but we've changed the delay. This is the typical rock arena delay, something that's very distinct in hard rock and a setting I used often while doing live sound. Whereas the slap-echo is a “close” sound, longer delay times result in larger sounds.
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